Ichinomiya Tanabata Festival | Review by Holly

I made a special trip to Hisaya-odori Park this time mainly to see the limited-time event held in collaboration with Nagoya’s popular chick-shaped pudding dessert, Piyorin. There was a large Piyorin-shaped installation featuring a transparent dome design, and visitors could walk right inside to take pictures. Taiwan has similar events, but being able to go inside was still pretty unusual and interesting. Many people took the opportunity to enter and take commemorative photos, so it was hard to get a shot of the chick without anyone inside.
Besides the event itself, the area around Hisaya-odori Park is also quite lively, with many well-known shops and restaurant brands nearby. If you enjoy shopping or looking for unique stores, it might be worth checking in advance to see which places nearby are worth visiting. While walking around this time, I unexpectedly came across the main HARBS store in Nagoya Sakae, which immediately brought back memories of the food. I hesitated and wondered whether I should go in, but when I saw the line outside, I decided to leave it for next time.
Hisaya-odori Park is also conveniently connected to the underground shopping area. Heading downstairs takes you into the Central Park underground mall. I also stopped by a used camera store that a friend had recommended before. There were so many restaurants in the underground mall that I didn’t know what to eat. This area is just as commercially vibrant as Tokyo.

I really liked the atmosphere of worship here.
Compared with Ise Jingu, Sarutahiko Shrine has relatively fewer worshippers. It may be less lively, but that makes it easier to appreciate the buildings and every corner of the grounds at your own pace. I was especially impressed by the uncommon octagonal designs found throughout the shrine and the main sanctuary built in the distinctive Satahiko-zukuri style, with its unique double-gabled roof.
This architectural style, which differs from the forms commonly seen at most shrines, gives the entire shrine a distinct character. The grounds also have places worth seeing, such as the Direction Stone, Takara Stone, and Sarume Shrine. The Direction Stone is one of the features most closely associated with the shrine, giving physical form to the main deity's role in guiding people and providing a more tangible way to pray for good fortune.
Sarume Shrine, meanwhile, represents beliefs related to the performing arts and the repose of spirits, which showed me that even within the grounds of a single shrine, you can learn about different aspects of Japanese Shinto culture.
Overall, this isn't a particularly large shrine, but it has many details worth taking the time to observe. If you're not in a hurry, you can explore it slowly. It's not far from the Inner Shrine and Okage Yokocho area and can be reached on foot, so you can include them together in your itinerary and experience the character of this rare shrine in Ise that isn't affiliated with Ise Jingu.

Otori Shrine is located in Zoshigaya, Tokyo, and has deep historical ties to Kishimojin Temple. Its main deity is Yamato Takeru, with Ukanomitama also enshrined here, and it is also the place where Ebisu, one of the Zoshigaya Seven Lucky Gods, is worshipped. The deity here was originally enshrined under the name “Sagi Myojin” within the grounds of Kishimojin Temple. It was moved during the Meiji period due to the order separating Shinto and Buddhism, gradually taking shape as the present-day Otori Shrine.
I stopped by Otori Shrine this time because of the Zoshigaya Handmade Market, but after actually walking inside, I unexpectedly came away with a good impression of the shrine itself. The handmade market happened to extend onto the shrine grounds during my visit, making it much livelier than usual, but there were still far fewer people than at Kishimojin Temple. Although the market extended onto the shrine grounds, there were fewer stalls here, and the works were more focused on floral art and handicrafts. I especially liked a Christmas wreath made with stained glass. It was delicate and had a very distinctive style.
The biggest surprise this time was unexpectedly seeing a chinowa ring being set up for the year-end purification ceremony. I knew there would be a chinowa ring in the summer, but I didn’t expect one at the end of the year. I paused for a moment when I saw the large ring woven from miscanthus reeds, then immediately took out my phone to double-check the correct way to walk through the “chinowa-kuguri.” After all, I had only done it before at Kitano Tenmangu Shrine in Kyoto, and enough time had passed that I had almost completely forgotten. Since it was such a rare opportunity, of course I quickly followed the instructions online and walked through it to cleanse myself of impurities.