I originally thought the main difference between Himeji Castle and other Japanese castles was simply its beautiful white exterior. But once I went inside, I realized its scale, state of preservation, and architectural details were far beyond what I had expected. After entering from Sakuramon Bridge, it already takes a while just to cross Sannomaru Square and reach the ticket gate. Once officially inside the castle grounds, I was drawn in by the layered views of the main keeps, smaller keeps, connecting corridors, and multiple gates. I kept stopping to walk, take photos, and look around, so there was no way I could finish the visit in the two hours I had originally planned.
Compared with the main keep, which gets the most attention, I really liked the Hyakken Corridor and Keshō Yagura in Nishinomaru. This area preserves a rare glimpse of women’s living spaces within a Japanese castle. As I walked along the wooden corridor and looked at the small rooms used by attendants, household items, and exhibits related to Princess Sen, I realized that castles were not only places for lords, samurai, and war. They also once held the everyday lives of women. Princess Sen spent some rare peaceful years at Himeji Castle, but in the end she lost both her child and husband one after another. It gave that seemingly glamorous life a sense of fated sadness.
The main keep area has a completely different atmosphere. The low gates, steep stone steps, winding passages, and sudden corners are already quite tiring for ordinary visitors, so it’s hard to imagine how enemy soldiers in armor would have advanced through them. After entering the keep and seeing the many weapon racks, shooting holes, stone-dropping openings, and hidden rooms, I finally understood that beneath Himeji Castle’s elegant white appearance lies an extremely cold, warlike nature. I’m also grateful to live in a peaceful era, when this castle built for defense can finally be appreciated for its most beautiful side.
Himeji Castle | Review by Holly
Other Reviews by Holly
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Tsukannon Temple (Enichizan Kannonji Daihoin)
This historic temple is said to have been founded in 709, and its official name is “Enichizan (Enichizan) Kannonji Daihoin.” Locals have long affectionately called it “Kannon-san.” The principal image, “Sho Kannon Bosatsu,” is known as “Tsukannon,” and is counted as one of Japan’s Three Great Kannon temples alongside Tokyo’s “Asakusa Kannon” and Aichi’s “Osu Kannon.” It is said to bring a wide range of blessings, including good fortune and success in business.
I took a ninja-themed high-speed ferry from Chubu Centrair International Airport to Tsu, then caught a taxi from Tsu Port. The shopping streets around Tsukannon Temple were quite quiet, completely unlike the lively areas around Sensoji Temple and Osu Kannon. Once inside the temple grounds, however, the vermilion five-story pagoda, main hall, Kannon statue, and ceiling paintings were all impressive, lending the temple an even more solemn atmosphere.
The decorations and ceiling paintings inside the main hall are also worth examining closely. The colorful celestial maiden paintings on the ceiling add a gentle, sacred feeling to the space. Other details include a dragon-shaped purification fountain, elements related to devotion to Kobo Daishi, and rubbing stones associated with the pilgrimage. They would be easy to miss on a quick visit.
The biggest surprise for me was the intricate paper-cut goshuin featuring patterns from the five-story pagoda’s murals. Its design draws from paintings and decorations inside the pagoda that are normally difficult to see. It is ornate yet dignified. I usually keep paper mementos from my travels in my journal, but this goshuin felt too special for that, so I chose to display it separately on my desk.
Tsukannon Temple may not be the liveliest temple, but it is where I most strongly felt a sense of peace and solemnity. Of the three major Kannon temples, this was the most personal and memorable stop for me. -
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KANSAI WIDE AREA PASS
This is a great-value unlimited travel pass available to short-term international visitors to Japan. For five consecutive days, the pass includes unlimited rides on the Sanyo Shinkansen, limited express trains, local trains, and West JR Bus lines within the designated free travel area. Starting from the vibrant Kansai region, you can extend your journey to destinations such as Okayama, Tottori, and Kagawa to fully experience the many charms of Japan.
The KANSAI WIDE AREA PASS is ideal for traveling between cities such as Kyoto, Osaka, Himeji, Okayama, and Kurashiki. However, you should calculate your actual itinerary beforehand to determine whether it will save you money. On this trip, I traveled from Kyoto to Okayama and also visited Himeji and Kurashiki, so the pass did reduce my overall transportation costs.
The most confusing part is the Shinkansen coverage. The pass covers the Sanyo Shinkansen between Shin-Osaka and Okayama. However, the Tokaido Shinkansen between Kyoto and Shin-Osaka is operated by JR Central and is not included. To travel from Kyoto to Okayama, take a Special Rapid train on the JR Kyoto Line to Shin-Osaka, then transfer to the Sanyo Shinkansen.
There is another important point to keep in mind when visiting Kurashiki. Shin-Kurashiki Station is not the closest station to the Kurashiki Bikan Historical Quarter, and the pass's Shinkansen coverage ends at Okayama. Traveling to Shin-Kurashiki requires paying the fare difference, followed by another transfer back to Kurashiki, so it is not any more convenient. The easiest option is to take the Shinkansen to Okayama, then transfer to the JR Sanyo Main Line for Kurashiki Station.
Overall, the pass offers an extensive travel area and access to the Sanyo Shinkansen. The downside is that the route restrictions are not as intuitive as they appear on the map. Once you understand that the Shinkansen between Kyoto and Shin-Osaka is excluded, as well as the difference between Shin-Kurashiki and Kurashiki stations, the pass is quite convenient to use. -
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Nagoya Castle
One of the largest castles in Japan, built in the early Edo period on the orders of Tokugawa Ieyasu, the founder of the Edo shogunate, the five-story castle tower is topped with shining two Kinshachi, one male and one female that has become a symbol of Nagoya.
I wasn't particularly interested in Nagoya Castle until I learned that the city had faithfully reconstructed Honmaru Palace—including spaces such as Jorakuden Hall and Yudono Shoin—using surviving prewar plans, photographs, measurements, and wall paintings. In other words, Nagoya Castle offers more than just a castle keep; you can also visit the shogun's residence. Once I learned that, I was determined to go.
Honmaru Palace was what I looked forward to most, and it was every bit as breathtaking as I expected. From the entrance and Omote Shoin to Jorakuden Hall, there was a succession of gold-leaf wall paintings, carved transoms, decorative metalwork, and elaborately designed ceilings. It was so lavish that my neck started to ache from constantly looking up. I could also hear other visitors gasping in amazement.
Yudono Shoin was equally fascinating. This was the shogun's private bathing and relaxation area. Rather than a bathtub, it featured a steam bath. The craftsmanship of the woodwork was exquisite, and even the bathing area had the refinement expected of a facility reserved for the shogun.
Because the palace contains almost no furniture or household items, some rooms can look similar, making it difficult to immediately imagine how they were used. However, by closely observing differences in floor height, the subjects of the wall paintings, ceilings, transoms, and seating arrangements, you can still see how each space reflected status and hierarchy.
If time allows, I highly recommend visiting Nagoya Castle and the Tokugawa Art Museum together. Honmaru Palace showcases the architectural spaces and formal order of the samurai class, while the museum preserves armor, tea utensils, paintings, calligraphy, and everyday objects from the Owari Tokugawa family. Together, they provide a much clearer understanding of daimyo culture and daily life at the time.
I used to have low expectations for Nagoya Castle, but now I feel that simply being able to walk through such a meticulously reconstructed palace makes the visit worthwhile—even without access to the castle keep. -
