Holly's Reviews Page 2/10

Tokyo Station itself is a place worth taking some time to appreciate. The station building on the Marunouchi side is the familiar classical red-brick building. It opened in 1914 and features the “Tatsuno style” designed by Kingo Tatsuno. The current Marunouchi Station building is also an important historic structure that has been preserved after restoration. If you like classical architecture, take a good look at the exterior details when passing through the station, and you’ll find quite a few things worth seeing.
Compared with Shinjuku Station, Tokyo Station is somewhat easier to navigate, but the entire station is still very large, especially since the different exits, underground passages, and transfer areas are quite far apart. Just walking from the Yaesu side to another transfer area took me at least five or six minutes. If you’re planning to transfer at Tokyo Station and it’s your first time there, you really should allow extra time to get around and find your way inside the station.
The area around the Yaesu South Exit is a major boarding area for highway buses, including the AIRPORT BUS TYO-NRT to Narita Airport. There are also boarding points nearby for other local and long-distance buses. For first-time visitors to Tokyo, Tokyo Station is not only a major transfer station for the Shinkansen and JR lines, but also an important transportation hub for getting to the airport and other cities.

It happened to be raining when I visited Byodoin this time. Maybe there were fewer visitors because of the rain, so even though it's a popular attraction, it wasn't very crowded. The grounds have gravel paths, so they were still fairly easy to walk on in the rain. My visit also happened to fall during cherry blossom season. Although the rain had already caused some of the blossoms to fall, it also meant there wasn't the usual cherry blossom season congestion. The cherry blossoms, pond, and Heian-period-style architecture in the gloomy rain instead created a more tranquil beauty, making the entire visit unexpectedly pleasant.
It only started raining after I arrived in Kyoto, so I bought a clear umbrella at a convenience store at the last minute. Because of my budget, I chose the cheapest umbrella there, which happened to be clear. I didn't realize how convenient it was until I actually used it. Especially when taking photos under the cherry trees or in front of Byodoin, the clear umbrella didn't block the scenery in front of me. It was only then that I truly understood why clear umbrellas are so common on the streets of Japan.
The grounds of Byodoin were larger than I had originally imagined. Once inside, I found that it wasn't just Phoenix Hall itself that was worth seeing. The surrounding gardens, pond, and views from different angles were also very interesting. The architecture has a very distinctive Heian-period style, especially the sight of Phoenix Hall standing in front of the pond, which easily brings to mind the ideal residences sought by aristocrats at the time. Byodoin was originally created when Fujiwara no Yorimichi converted his villa in Uji into a temple. With that background in mind, it's easy to understand why the entire setting has such a strong atmosphere of Heian aristocratic culture.
If time allows, I also highly recommend visiting the Byodoin Museum Hoshokan. It houses many important cultural properties and precious artifacts from Byodoin, where you can learn historical details that aren't directly apparent from outside Phoenix Hall. Still, this part depends on your personal interest in historical artifacts, since there is an admission fee, but I personally thought it was well worth it.
Byodoin also has a very special meaning for me. I received my first goshuin here, and you could say that visit began my later habit of collecting goshuin.
Overall, although it rained during this visit to Byodoin and some of the cherry blossoms had already fallen, I actually really liked this less-than-perfect spring scenery. It left a completely different impression from a sunny-day visit. On top of that, the clear umbrella unexpectedly became a useful prop for taking photos, adding another interesting memory to this rainy-day trip.

It happened to be raining when I visited the Itohkyuemon Uji store this time. Maybe because of the weather, it wasn't as crowded inside as I had expected. This was also my first time trying a matcha dango parfait. The matcha flavor was quite rich, and it came with a wide variety of toppings that gave it different textures. Overall, it was better than I expected.
Overall, I think Itohkyuemon's matcha desserts are worth trying, especially for people who like a rich matcha flavor. However, the Uji store is a little far from the main attractions in central Uji. If your itinerary is mainly focused around the Uji River and Byodoin, you'll need to set aside some extra time to make a special trip here.

Tsukiji Hongwanji Temple was originally just a place I planned to stop by on my way to Tsukiji Market, but after seeing it in person, its architecture ended up leaving a deep impression on me. The current main hall was designed by architectural historian Chuta Ito, and its exterior has a strong Indian and South Asian Buddhist architectural style. The dome, stonework, and overall silhouette are completely different from what you would normally picture as a Japanese temple.
But what is really interesting is that when you get closer, you notice that it still retains much of the refinement distinctive to Japanese architecture. The animal carvings, decorative details, stained glass, and interior furnishings do not simply copy an Indian style. They incorporate a lot of Japanese aesthetics and craftsmanship, so the building looks very foreign overall, yet very Japanese when viewed closely. This kind of blend is truly uncommon among Japanese temples.
There is also a large pipe organ inside the main hall, which is quite unusual in a Buddhist temple. Unfortunately, photography is prohibited in the worship area. Otherwise, the contrast between the interior and exterior would be even more striking, since the inside of the main hall looks much like many other Hongwanji temples.
The Tsumugi cafe next to Tsukiji Hongwanji Temple is also well known, and its signature offering is the “18-Dish Breakfast,” which lets you try a variety of small Japanese dishes at once. I did not pay much attention to the breakfast hours this time, which was a bit of a shame. If you are planning to continue on to Tsukiji Market for food afterward, I would recommend watching how much you eat, or you may end up full before you even explore the market.

Osu Kannon Temple itself is well worth exploring carefully. Its vermilion main hall is quite striking, and the temple grounds feel more lively and down-to-earth than I had expected, without an overly formal sense of distance. The temple enshrines Kannon Bodhisattva and is one of Nagoya’s most prominent temples devoted to Kannon worship. What impressed me most during my visit was actually the large number of pigeons on the grounds. They often fight over food in front of the main hall, and it can be a little scary when a large flock takes off at once. They are not particularly aggressive, but you should still be careful if you feed them.
Like Sensoji Temple, this temple is often said to be a place where it is relatively easy to draw a bad-luck fortune. Fortunately, I have visited several times and have always drawn good luck, so I am quite grateful for Kannon’s care. In addition to the main hall, the grounds also include a bell tower, Niomon Gate, and purification pavilion. The amulets and other items available here are also distinctive.
Near the bell tower, there is also a mechanical puppet display called “Muneharu Ranman,” which performs automatically every day at 11:00, 13:00, 15:00, 17:00, and 18:30. It is themed around Tokugawa Muneharu, lord of the Owari Domain. If you are interested, you can time your visit to see it.

Kurashiki Denim Street is located in the Kurashiki Bikan Historical Quarter. I had seen it featured on a Japanese TV show before, and it is best known for its blue “denim buns” and “denim soft-serve ice cream.” But after seeing the actual color, I suddenly lost my appetite and decided not to try them after all.
Although it is called “Denim Street,” it is actually more like a small alley-style shopping area with denim products from brands based in Kojima. Everything throughout the area, from the signs and decorations to the merchandise, uses a lot of blue, making it stand out sharply amid the white walls and black roof tiles of the Kurashiki Bikan Historical Quarter.
What is interesting about this place is that it is not just a “blue photo spot.” It is genuinely connected to Kurashiki’s local industries. Kojima in particular has a long history of developing textile- and denim-related industries and is also an important birthplace of domestically produced Japanese jeans. So the abundance of denim elements in Kurashiki is not a forced tourism theme, but part of the local industry.
Once, while riding the train, I happened to see high school students heading home from school, and their uniform jackets had a denim-like look. That was something I never could have imagined when I was a student. It was really unique to see the local industry blend so naturally into everyday life.
If your itinerary does not leave enough time for a separate trip to Kojima, Kurashiki Denim Street is a good alternative for a simple introduction to denim culture. People interested in jeans, canvas, and fabric products will find more to browse. Even for general tourists, it can be treated as a small, highly distinctive spot within the Bikan Historical Quarter.
As a side note, the public restroom near the back of Denim Street is also very nicely designed and blends harmoniously with the surrounding scenery. Even small details like this make it clear that Kurashiki puts a lot of care into its tourist spaces.

If you want to collect goshuin at Shoren-in Monzeki Temple, I would personally recommend visiting during the day. During special nighttime viewings, the goshuin available at the temple office are more likely to be prewritten. If you want one written for you on the spot, you have a better chance during the day.
The nighttime illumination is certainly beautiful, and the garden and buildings take on a very quiet, mysterious atmosphere under the dim lighting. However, the drawback is also obvious: many of the architectural details are difficult to see. If your main purpose is to appreciate Shoren-in itself, including its temple buildings, painted sliding panels, and gardens, I would actually recommend visiting during the day.
In addition to Kachoden Hall, Kogosho, the Main Hall, and Shinden Hall, Shoren-in’s grounds include a strolling pond garden centered on Ryujin Pond, traditionally said to have been designed by Soami. There is also the Kirishima Garden, which is traditionally associated with Kobori Enshu. These are all better appreciated slowly during the day, especially the details of the gardens, the proportions of the buildings, and the borrowed scenery, much of which is lost under the nighttime lighting.
Special nighttime viewings also usually cost a little more than regular daytime admission, so unless you are visiting specifically for the illumination, I personally think the overall value is better during the day. Of course, if you really enjoy the quiet and slightly mysterious atmosphere of temples at night, Shoren-in’s illumination is still worth experiencing once.
At the time, I did not have enough photography experience, and looking back now, I feel like I did not make the most of the illumination that evening. Shoren-in’s nighttime lighting is dim to begin with. In many areas, instead of lighting up an entire building, it uses localized lighting to create atmosphere. So if you want to take photos, it is best to prepare a camera or phone with good low-light capabilities. If there is not even much moonlight that day, the demands on your equipment and your ability to hold it steady will be even greater.

The main reason I made a special trip to the Nanjo Art Museum this time was that the “Mika Ninagawa Exhibition with EiM: Dancing with Shadows in the Light” happened to be on. During the exhibition, the museum extended its hours into the evening, which made planning my itinerary much easier. The biggest advantage here is that it isn’t too crowded. You can take your time in each exhibition area without constantly being pushed along by the people behind you, making it easier to fully appreciate Mika Ninagawa’s use of color, flowers, light, and shadow.
I especially like the way she photographs flowers. Later, I even tried using some of her ideas for composition and lighting when photographing Atami-zakura cherry blossoms, and unexpectedly got several photos that I was very happy with. The exhibition wasn’t limited to the indoor spaces either. Some of the works extended outdoors and into the views through the windows. With mountains on one side of the Nanjo Art Museum and the ocean on the other, the exhibition blended very well with Okinawa’s natural environment. If you aren’t in a hurry, it’s a nice place to find somewhere to sit and simply enjoy the ocean view.
The Nanjo Art Museum is in a relatively remote location in Chinen, Nanjo City, near the World Heritage Site Sefa-Utaki. I had originally planned to visit Sefa-Utaki as well, but I got a little lost while riding there on a scooter and ran out of time, so I had to give up. The ticketing and administrative area is also distinctive, built from shipping containers. Electronic ticketing and various payment methods are mainly used, and the overall process is very convenient. Since it isn’t as easy to stop by as a museum in the city, I’d recommend checking the current exhibition first and making the trip only if it genuinely interests you. Otherwise, the museum itself is just okay.
There was also a memorable little moment during this visit. Just before I was about to leave, someone by the café suddenly started playing the piano and singing an Okinawan folk tune. It gave the previously quiet museum a more down-to-earth atmosphere and became the most memorable part of my visit.

At first, I thought Sennichimae Doguyasuji Shopping Street would be similar to Kappabashi in Tokyo, but after actually exploring it, it was definitely much smaller. Kappabashi has more stores, especially when it comes to large commercial kitchen equipment and professional restaurant supplies. Sennichimae also mainly sells restaurant and kitchen supplies, but everything is more concentrated, which actually makes it more practical for the average tourist.
After comparing the two, I think Sennichimae Doguyasuji's biggest advantage is its prices. While it doesn't have the overwhelming amount of merchandise that Kappabashi does, many of the pots, tableware, and small kitchen items are very reasonably priced, and it basically has everything you would expect. You can find pots and pans, knives, tableware, and food replica products, and there are also food replica-making experiences available. Unless you're shopping professionally, the selection here is more than enough.
The location is also very convenient. Namba, Sennichimae, Nipponbashi, and Dotonbori are all nearby, so it's easy to combine this with other popular shopping areas. You can easily spend most of the day walking around and browsing. To me, it feels a bit like a “smaller version of Kappabashi”—smaller in scale, but more concentrated, with prices that can also be a pleasant surprise.
By the way, the drink vending machines in the alleys around this area are also interesting. Prices are often lower than in popular tourist areas, and occasionally you'll find some more retro or unusual drinks. If you keep an eye out while shopping, it's surprisingly easy to come across these little surprises.

I think the Kurashiki Bikan Historical Quarter is an old Japanese district that's best appreciated at a leisurely pace. It doesn't feel overly contrived. The white walls and black roof tiles, the Kurashiki River, the willow trees, and the old houses all come together to give the entire neighborhood its own unique atmosphere. During the day, you can visit places such as the Ohara Museum of Art, Achi Shrine, Hayashi Genjuro Shoten, and the Kuniyoshi Museum, while also stopping for sweets, browsing small shops and souvenirs, and trying some hands-on activities. It actually takes more time to explore than you might expect.
I've visited several times, and the clearest impression I've had is that Kurashiki isn't a place you can fully explore in a single visit. The first time, you may focus on the classic riverside scenery and old-town atmosphere. On later visits, you'll discover the small shops, historic buildings, shrines, and less noticeable galleries tucked away in the alleys. Together, they create a relaxed, unhurried feeling and reveal scenery shaped by the meeting of the present and the past. The atmosphere also feels different depending on the time of day you visit.
I highly recommend staying until at least dusk, or even into the evening. Kurashiki is livelier during the day and has more tourists. After dusk, the crowds gradually thin out and the shops begin to close, leaving the riverside and white-walled streets surprisingly quiet. When the nighttime lights reflect on the water and white walls, it feels completely different from the daytime. If time allows, I'd suggest setting aside at least half a day to a full day rather than treating it as just a quick stop near Okayama.